William Kurelek’s The Maze
Wednesday, September 19, 2012 – 7:30pm
USA 19692011. Directors: Robert M Young, David Grubin [Re-imagined by Nick Young, Zack Young]
Canadian painter William Kurelek (1927-1977) may be best known for his beautiful illustrations of bucolic children’s classics (Who Has Seen the Wind?, A Prairie Boy’s Winter) and his landscapes of Ukrainian-Canadian prairie life, but it is his disturbing early work and difficult upbringing that is the subject of this intriguing documentary.
The idea for Momma’s Man came to director Azazel Jacobs one morning on a visit to his parents. Waking up to find coffee and cereal waiting for him, Jacobs wondered then why he had ever moved out. His film revolves around the childhood regression of Mikey (Matt Boren), a thirty-something computer programmer with a wife and baby.
A foreign-film Oscar nominee in 2002, and one of Norway’s highest grossing movies of all time, 
David Cronenberg’s magnificent, bleak Spider stars Ralph Fiennes in a tour-de-force performance as Dennis Clegg, nicknamed “Spider” during childhood because of a fascination with arachnids. After thirty years in a facility for the mentally ill, he is released to an East End London halfway house, where he receives little care or attention …
In his legendary first documentary, cinéma vérité master Frederick Wiseman leads us into the MCI-Bridgewater mental institution, a prison-hospital for the criminally insane run by the Massachusetts Department of Corrections. Wiseman shows us, without judgment, the incessant abuse of inmates as they are needlessly stripped bare, insulted, herded about, mocked, and taunted.
“Talhotblond” was the username of beautiful 18-year-old Jessi, a high-school senior from West Virginia. Jessi met Tommy, a buff, brave 18-year-old soldier (username: marinesniper) in an internet chat room, and the pair stuck up an intense, passionate, two-year on-line affair.
Dr. Bob Bechtel, a seemingly ordinary man in his early seventies‚
A Song for Martin tells the story of two people late in
Taking over from Woody Allen as cinema’s resident neurotic